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For musicians and non-musicians alike, 'barbershop singing' recalls The Music Man's Ice Cream Quartet and the bright hum of a pitch pipe. Audiences won't guess that participation in barbershop singing can entail three-hour rehearsals, vowel-matching, breath plans, lyric mapping, and international competition.
Barbershop is a cappella four-part harmony marked by elaborate slides, inverted chords, and attention to overtones. Its lighthearted performance often belies the musicianship needed to 'ring the chords' — to sing with such accurate pitch and pronunciation that the chords create more notes than voices. Poker bankroll app.
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How does that work? Well, the four parts of barbershop are designed to produce overtones. Singing the melody, the lead defines the musical interpretation. Providing a secondary lyrical line, the bass lays the foundation for the overtone series. The tenor sings into the overtones created by the bass, her part resembling a descant. The baritone gets the notes that only a music theory nerd could love: major sevenths, tritones, accidentals.
Though I've been singing baritone with Jacksonville Harmony Chorus for eight years, I've recently started singing lead in a new quartet called Chordinated. The change has been an incredible musical challenge. As the lead, I designate the dynamics, breaths, and emotions of the music: I am the authority onstage.
As a classical soprano, I've been in several performance ensembles — but this is my first time in a quartet. Jeanie (bass) and Danielle (tenor) are also beginners. Our experienced baritone, Debbie, helps plan rehearsals and directs rigorous vowel-matching warmups. A quartet will only ring chords when each singer produces every vowel identically: the guide for pronunciation is the lead's voice. After routines of sliding scales, chords, and arpeggios, we focus on our music for competition. In April, we'll compete in a regional contest with other choruses and quartets. Winners of regional competition progress to international competition, and quartets who win international are called 'Queens of Harmony.' We want to be Queens.
Work on contest songs often includes duetting: where two parts rehearse to produce a unified sound. As we duet, we change position — singing cheek-to-cheek, behind one another, or beside each other. Sometimes we sing in 'quartet formation,' a semicircle with lead and bass in the center. Occasionally we form a tight circle, singing across to one another.
Barbershop demands my classical training in music theory as I navigate through difficult chords and key changes. However, most of the singing technique I apply here does not come from my classical training. Singing lead requires more frontal resonance: sending the tone 'into the mask' so that it resonates in my cheekbones and forehead. I also use my hard palate when the lead has a 'post' — a sustained note that grows while the other parts move around it.
Barbershop singing allows me to be more physically expressive. Chordinated has been coached by two Queens who emphasized using our legs and arms to help produce sound. While singing barbershop, I allow my knees and hands to express tension, invitation, anticipation, relief. The physical movement produces a more consistent sound.
Though I've only been singing lead since November, I'm discovering an intense love for musical interpretation. My quartet indulges me as I change the keys of our songs until I find the key that best suits our voices. Barbershop singers are notoriously lax about the written score. Our sheet music functions like the loose guidelines for medieval chants: rhythms can be rushed or stretched depending on the lead's design and the quartet's abilities. The lead is harmonically situated like the cantus firmus of centuries past, unlike the soprano-centric melodies of most SATB arrangements.
Working toward competition, Chordinated are rehearsing for several hours each week — in addition to our chorus's three-hour practices. We've lined up coaching sessions with chorus directors and Queens from our region. And on the advice of one Queen, we sing our music on lip trills for 10 minutes every day. In this quartet, I'm a novice again, singing in a new place both musically and physically.
Emily Michael is a writer, musician, and English instructor living in Jacksonville, Florida. When she's not involved in academic pursuits, she works with blind and visually impaired people and their families, teaching self-advocacy and independent living skills.
Interested in writing about classical music for Classical MPR? Have a story about classical music to share? We want to hear from you!
The Overtones will tour the UK in 2021 as part of their 10th anniversary celebrations. The Overtones tickets go on general sale at 10am today.
The vocal group have lined up 20 shows next autumn, commencing on November 9 in Halifax and wrapping up on December 12 in Sheffield.
Barbershop singing allows me to be more physically expressive. Chordinated has been coached by two Queens who emphasized using our legs and arms to help produce sound. While singing barbershop, I allow my knees and hands to express tension, invitation, anticipation, relief. The physical movement produces a more consistent sound.
Though I've only been singing lead since November, I'm discovering an intense love for musical interpretation. My quartet indulges me as I change the keys of our songs until I find the key that best suits our voices. Barbershop singers are notoriously lax about the written score. Our sheet music functions like the loose guidelines for medieval chants: rhythms can be rushed or stretched depending on the lead's design and the quartet's abilities. The lead is harmonically situated like the cantus firmus of centuries past, unlike the soprano-centric melodies of most SATB arrangements.
Working toward competition, Chordinated are rehearsing for several hours each week — in addition to our chorus's three-hour practices. We've lined up coaching sessions with chorus directors and Queens from our region. And on the advice of one Queen, we sing our music on lip trills for 10 minutes every day. In this quartet, I'm a novice again, singing in a new place both musically and physically.
Emily Michael is a writer, musician, and English instructor living in Jacksonville, Florida. When she's not involved in academic pursuits, she works with blind and visually impaired people and their families, teaching self-advocacy and independent living skills.
Interested in writing about classical music for Classical MPR? Have a story about classical music to share? We want to hear from you!
The Overtones will tour the UK in 2021 as part of their 10th anniversary celebrations. The Overtones tickets go on general sale at 10am today.
The vocal group have lined up 20 shows next autumn, commencing on November 9 in Halifax and wrapping up on December 12 in Sheffield.
The foursome’s last full-length came in the shape of their 2018 self-titled LP released via their own label Gambling Man Records.
The Overtones Upcoming Tour Dates are as follows
The Overtones Gambling Man Vocal Challenges
Tue November 09 2021 - HALIFAX Victoria Halls
Wed November 10 2021 - LLANDUDNO Theatre, Venue Cymru
Thu November 11 2021 - SCUNTHORPE Baths Hall
Sat November 13 2021 - BATH Bath Forum
Sun November 14 2021 - BOURNEMOUTH Pavilion Theatre
Fri November 19 2021 - NORTHAMPTON Royal and Derngate
Sat November 20 2021 - COLCHESTER Charter Hall
Sun November 21 2021 - CAMBRIDGE Corn Exchange
Mon November 22 2021 - BIRMINGHAM Symphony Hall
Thu November 25 2021 - WORTHING Assembly Hall
Fri November 26 2021 - PLYMOUTH Plymouth Pavilions
Sat November 27 2021 - BASINGSTOKE Anvil
Sun November 28 2021 - BEXHILL ON SEA De La Warr Pavilion
Tue November 30 2021 - MANCHESTER Bridgewater Hall
Wed December 01 2021 - STOKE Victoria Hall, Stoke
Thu December 02 2021 - LONDON Indigo at The O2
Wed December 08 2021 - GLASGOW Royal Concert Hall
Fri December 10 2021 - YORK York Barbican
Sat December 11 2021 - NEWCASTLE UPON TYNE O2 City Hall Newcastle
Sun December 12 2021 - SHEFFIELD City Hall, Sheffield
Click here to compare & buy The Overtones Tickets at Stereoboard.com.
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